Nichols Ch 7 (p 137-148: Participatory Mode)

Observational films can be a difficult watch. I love them, but it has taken me time to develop the patience and mood in which I can more fully appreciate the work. I remember watching Licorice Pizza and, about half way through, thinking, ‘what is the point?’ As I searched for a point, the movie became a drag and nonsensical. Afterward, it clicked: the movie is a series of short stories tied together by a will-they-or-won’t-they. Rewatching it, it became so much more enjoyable. I removed myself from the burden of purpose and the movie became very enjoyable. I find the same recipe helps me naturally find purpose in the seemingly nonsensical stories in both fiction and nonfiction film.

How can we make compelling observational media to a broad audience?

What does it mean for a story to have a purpose?

Where do observational films land in the pantheon of cinema?

Was that previous question written just to sound smart?

How can the qualities of observational documentaries be further inserted into more traditional story arcs?